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May Nell had been “through the measles,” yet she shared the quarantine. Billy resented this at first. It was “no fair.” Afterward he was grateful; for aside from the cheer of her presence she did him a fine service. It was her clever brain that proposed to read his lessons aloud to him; and though he didn’t think much of it at first, he soon saw that this would make a chance for the prize which in his heart he had resigned. “Please don’t call Jimmy ‘Sour,’” May Nell pleaded. “He’s big and dark and splendid; and his other name is going to be Roderick Dhu; and he’ll be kind to all weak things, and fight for the Douglases, and for the Fair Ellen.” She waved her hand toward the steamboat. An enlarged crayon portrait in a wide gilt frame of Moses as a baby in a state of round cherubic innocent nudity, had been added recently to the mural decorations and was especially well covered with cloths..

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“Them critters has swore more than I ever heerd sence the ketchup bottle fomented an’ bust an’ splashed orl over Par’s shirt an’ trickled down his pants.” Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. At last she looked up and pointed a startling finger at May Nell. “Mary Ellen Smith, my familiars, who guard the portals of futurity, declare that you shall be the first honored. Minions, depart! Slaves, guard the door!” “Is theh faywies wound heah, Betty? Can they see us?” inquired the little boy in awe-struck tones..